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| For me the figure is the ultimate artistic tool of expression. The figure is a familiar reference, with a built in dictionary—gestures and expressions equal certain meanings. The figure can evoke a variety of ideas simply from being “created”—even if the artist’s intention was to create only one. A piece that uses the figure is partially dependent on the viewer’s emotional, cultural, or historical reference points for impact. The meaning of a piece will always shift or even change completely from person to person. This uncertainty of how a painting is going to be perceived is one of the most intriguing aspects of figurative art. This idea is why I choose to paint the figure. However, the “how” I paint the figure also important. This includes the choice of skin coloration, a paint application that embraces the energy and expression of visible brush strokes, and the figures “larger-than- life” composition on the canvas. Each work of my art gives the viewer an opportunity to examine my journey into the unique beauty of women. The active color, brush strokes, and expressions in the paintings are designed to move you as if you are the divine feminine being depicted. My work is not about glorifying the physical properties of the figure, but in fact how those physical properties are simply tools to define, reflect, and illustrate the true beauty that lives beyond, beneath, and unanchored by the physical characteristics of the flesh. My work is feminine and strong; illustrating and reflecting what is truly beautiful about the female. |
| The Statement |
| sonyArletta |